A NovelBook - 2000
But the tea goes untouched. Isabel's mother remains out of reach, a kind of melancholy stranger Isabel struggles to understand.
Then, her mother kills herself.
As Isabel comes of age, that incomprehensible act haunts her. Isabel grows up, yearns to become an actress, and falls in and out of love: at eight, with born-again Ann, who proclaims happily, "I love Jesus"; at sixteen, listening to Joni Mitchell records and smoking dope with Lottie, who "never apologizes and never explains"; at seventeen, with theatrical feminist Rebecca; and at twenty-two, with avant-garde Thea, in whose experimental film Isabel is starring-or trying to-as the goddess Diana.
Of all the women in her life, however, the one who still eludes her is herself.
Funny, poignant, and sexy, Tea speaks to those who grew up listening to the Monkees and Peter Frampton, culling marijuana seeds on album covers, but who fled the suburbs for the glamorous squalor of the city. It speaks to those who discovered they were gay and had to find a way to tell the rest of the world. And it speaks to anyone who has struggled to carve out a space for themselves against a tragic family history.
Baker & Taylor
After her mother's suicide, Isabel yearns to find herself and to decipher the mystery of her mother's death
Blackwell North Amer
The Golds were not an exceptional family in suburban Philadelphia. Mr. Gold ran a dry-cleaning business and his wife, Cassie, was a nurse. They had two daughters, Isabel and Jeannie. Mrs. Gold was unpredictable and moody, prone to napping and taking long baths, but it was nothing that couldn't be soothed with a good cup of tea.
Until she killed herself.
Haunted by her mother's incomprehensible act, Isabel Gold tests out identity after identity, role after role, trying to inhabit the space left by Cassie and to crack the mystery of her death.