Crime and Punishment

Crime and Punishment

Book - 2018
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WW Norton
Published to great acclaim and fierce controversy in 1866, Fyodor Dostoevsky’s Crime and Punishment has left an indelible mark on global literature and our modern world, and is still known worldwide as the quintessential Russian novel. Readers of all backgrounds have debated its historical, cultural, and spiritual dimensions, probing the moral and ethical dilemmas that Dostoevsky so brilliantly stages throughout his narrative. Yet, at its heart, this masterpiece of literary realism is ultimately an immersive tale of passion and redemption—indeed, "the best of all murder stories" (Harold Bloom), "most perfect in pacing and structure. There is no more gripping novel in the world" (Michael Dirda).Now, acclaimed translator Michael R. Katz breathes fresh life into this ageless classic in a sparkling new translation, with novel insights into the linguistic richness, subtle tones, and cunning humor of Dostoevsky’s magnum opus. Embracing the complex linguistic blend inherent in modern literary Russian that has provided an exceptionally fertile source of images and diction for Russian writers since the time of Pushkin, Katz recaptures the richness of tone and register of the novel’s most poignant and significant passages. Sensitive to this linguistic mosaic, Katz ably recreates the feeling of the original Russian for the English reader, allowing the text to evoke the same stirring emotional responses as the author intended.With its searing and unique portrayal of the labyrinthine universe of nineteenth-century Russia, this masterful rendering of Crime and Punishment will be the translation of choice for years to come.
An event to be celebrated, a “rare Dostoesvskytranslation” (William Mills Todd III,Harvard University) that fully captures theliterary achievements of the original.

Baker & Taylor
An acclaimed translator breathes fresh life into this ageless classic in a new translation, with novel insights into the linguistic richness, subtle tones and cunning humor of Dostoevsky’s magnum opus.

Baker
& Taylor

Presents a new translation of Dostoyevsky's classic novel about an impoverished Russian student who murders a miserly landlady, a crime that has severe repercussions on his life and his family as he battles his conscience.

Publisher: New York ;, London :, Liveright Publishing Corporation,, 2018
Edition: First edition
ISBN: 9781631490330
1631490338
Characteristics: 604 pages ; 25 cm
Additional Contributors: Katz, Michael R - Translator

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wordsaremeaning
Nov 16, 2017

If you took out all the characters who exist just as political mouthpieces or uninteresting interludes (I'm not even convinced that Avdotya or her suitors are necessary characters) this would be a really interesting investigation of the psychology of ends justifying means. But it's varyingly fascinating and tedious, and I have to wonder if this story simply needs an update. Outside its historical context (any book which needs 30 pages of endnotes to be explained is really only of historical importance) this is actually not a very well told story. That said, large parts of it are fascinating, and it has a delightfully gruesome style that I'd never experienced before (I'm not a big reader of fiction). I'm sure some will disagree with me, but I'd still say that even if you're only reading it to say you've read it, there's something to enjoy here. It's only occasionally the kind of book you have to trudge unwillingly through to get to the good parts.

t
TheeAvebury
Oct 31, 2017

This is Dostoevsky at his best - at least as far as this reader is concerned. This is a ‘complex’ story (in many respects) certainly with respect to the story line: and, in the ‘typical’ Russian style, full of boiling emotion, honor, degradation and mystery.

v
VonHafenstaaad
Oct 06, 2017

What an amazing read. Should you find yourself struggling to keep up with the characters, continue through. It will come together and it WILL be worth it!

b
Blue_Raven_10
Jul 09, 2017

Possibly one of the best books I have ever read. I could not put this book down, and while some say it is a drag of a read; for me, this book was an actual page-turner. Dostoyevsky does such a fantastic job with narrating the inner thoughts of Raskolnikov. This book made me want to read more classic literature, I was so moved by this book that I reached out to my English teacher to have a lunch discussion about the various themes and ideas in this book. It is also important to note the time period, as well as Dostoyevsky's own political and philosophical ideas, as they give context for the book and a lens through which to read the novel. I can only give this book the highest recommendation for anyone looking to read a master work of literature.

j
julia_sedai
Apr 17, 2017

Amazing book. Dostoevsky's writing is incredible ... he can really get into peoples' heads. It took me a long time to read but it was so enjoyable. It's been a while since I've read something so brilliant. Recommended for anyone, especially people interested in psychology.

x
xiaojunbpl12
Jan 24, 2017

Powerful (journey to the mind in a few days, more dramatic than millennia saga), suspenseful (more so than mystery thriller),
tragic for each character (I'm more sympathetic towards elder and "philandering" Svidrigailov than young and precocious Raskolnikov, equally touched by Katerina as Sofya), insightful to reveal each layer of human nature ("dull" figures Luzhin and Porfiry, representative of the ordinary, conventional wisdom and ruling authority, shine, along with the protagonist.).
A true masterpiece rarely seen in contemporary literature.

AL_IRINAB Nov 27, 2016

In simple words, everything is magnificent in this one of the very best novels in human history ever! The story, plot, characters, theories, developing characters and their relationships, philosophy, search of God, style of writing, escalating of emotions, mystery, beauty of contradictions & paradoxes, scenes of old Saint Petersburg, portrayal of life in the19th century, exploration of human nature and Russian soul, inquiry of how sordid and sublime one can be,
As many times you read this book, you will surprisingly discover something new. Dostoyevsky attained an infeasible pinnacle by creating this genuinely immortal masterpiece of literature art.

g
ggohsasm
May 02, 2016

I enjoyed this masterpiece indeed as I am really into books focusing on contemplating human nature, differing from those authored by Americans, which characterise extended description of natural environment I always find so boring that I can not bear it until I reach 'the heart of the book'. Humans are always the center of everything and thereby what they think and feel deep inside counts most.

g
Greisi
Mar 31, 2016

I wanted to like this book so badly, really I did but for the life of me I just couldn't. Maybe my English class killed any enjoyment I would've gotten out of this book if I had read it under different circumstances but I couldn't stand it. I know I was supposed to care about the characters and their suffering but I just couldn't do it, I couldn't stand Raskolnikov and the hours that he spent agonizing over whether or not he had committed a crime and when he would be caught. The dialogue was three pages long, entire pages were only one sentence, so much unnecessary description. Everything was so dramatic, everyone was constantly yelling or exclaiming everything for no reason. To top it off, I was constantly getting nihilism and every other ideology of Dostoevsky's shoved down my throat.

e
einstein_5
Aug 10, 2015

“I deduce that all, not only great men, but even those who are a tiny bit off the beaten track—that is, who are a tiny bit capable of saying something new—by their very nature cannot fail to be criminals—more or less, to be sure. Otherwise it would be hard for them to get off the beaten track, and, of course, they cannot consent to stay on it, again by nature, and in my opinion it is even their duty not to consent. In short, you see that so far there is nothing especially new here. It has been printed and read a thousand times. As for my dividing people into ordinary and extraordinary, I agree that it is somewhat arbitrary, but I don't really insist on exact numbers. I only believe in my main idea. It consists precisely in people being divided generally, according to the law of nature, into two categories: a lower or, so to speak, material category (the ordinary), serving solely for the reproduction of their own kind; and people proper—that is, those who have the gift or talent of speaking a new word in their environment. The subdivisions here are naturally endless, but the distinctive features of both categories are quite marked: people of the first, or material, category are by nature conservative, staid, live in obedience, and like being obedient. In my opinion they even must be obedient, because that is their purpose, and for them there is decidedly nothing humiliating in it. Those of the second category all transgress the law, are destroyers or inclined to destroy, depending on their abilities. The crimes of these people, naturally, are relative and variegated; for the most part they call, in quite diverse declarations, for the destruction of the present in the name of the better. But if such a one needs, for the sake of his idea, to step even over a dead body, over blood, then within himself, in his conscience, he can, in my opinion, allow himself to step over blood—depending, however, on the idea and its scale—make note of that. It is only in this sense that I speak in my article of their right to crime. . . .”

“ . . . But tell me this: how does one manage to distinguish these extraordinary ones from the ordinary? ...Because, you must agree, if there is some sort of mix-up, and a person from one category imagines he belongs to the other category and starts 'removing all obstacles,' as you quite happily put it, well then . . .”

“Oh, it happens quite often! . . . but consider also that a mistake is possible only on the part of the first category, that is, the 'ordinary' people (as I have called them, perhaps rather unfortunately). In spite of their innate tendency to obedience, by some playfulness of nature that is not denied even to cows, quite a few of them like to imagine themselves progressive people, 'destroyers,' who are in on the 'new word,' and that in all sincerity, sir. And at the same time they quite often fail to notice the really new ones, and even despise them as backward, shabby-minded people. But in my opinion there cannot be any significant danger here, and there is really nothing for you to be alarmed about, because they never go far. . . .

An enormous mass of people, of material, exists in the world only so that finally, through some effort, . . . with great strain it may finally bring into the world, let's say, at least one somewhat independent man in a thousand. . . .”

“What, are you two joking or something?” Razumikhin cried out at last. . . . “Well, brother, if it's really serious, then...You're right, of course, in saying that it's nothing new, and resembles everything we've read and heard a hundred times over; but what is indeed original in it all—and, to my horror, is really yours alone—is that you do finally permit bloodshed in all conscience and, if I may say so, even with such fanaticism... So this is the main point of your article. This permission to shed blood in all conscience is...is to my mind more horrible than if bloodshed were officially, legally permitted . . .”

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Greisi
Mar 31, 2016

Greisi thinks this title is suitable for 17 years and over

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biblioisseur
Jul 28, 2013

biblioisseur thinks this title is suitable for 17 years and over

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Nico_Laliberte
Jan 09, 2013

Nico_Laliberte thinks this title is suitable for 18 years and over

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TSCPL_ChrisB Jun 06, 2016

Pain and suffering are always inevitable for a large intelligence and a deep heart. The really great men must, I think, have great sadness on earth.

h
haploU5
Feb 07, 2012

To go wrong in one's own way is better than to go right in someone else's.

s
Saaqy
Mar 19, 2010

In a morbid condition of the brain, dreams often have a singular actuality, vividness and extraordinary semblance of reality. At times, monstrous images are created, but the setting and the whole picture are so truth-like and filled with details so delicate, so unexpected, but so artistically consistent, that the dreamer, were he an artist like Pushkin or Turgenev even, could never have invented them in the waking state. Such sick dreams always remain long the memory and make a powerful impression on the overwrought and deranged nervous system.

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FavouriteFiction Sep 30, 2009

A man makes a decision to murder an old woman and suffers from terrible guilt.

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